Describe a popular person.
Notes
You should say:
Who he/she is
What he/she has done
Why he/she is popular
And explain how you feel about him/her
To me, Liu Yifei stands out because of her disciplined artistry—the way she builds a character through restraint, precision and, I suppose, methodical preparation. That’s the headline. The backstory is simple: I first knew about her in middle school, when her period dramas were basically everywhere; later, during uni train rides, I caught her major live-action film and noticed how consistent her craft had become.
Why the popularity? It isn’t only star power. It’s a blend of cultural resonance—that poised, almost classical elegance—and cross-border visibility from international projects. She maintains a relatively low-key public persona, which, to be honest, keeps the focus on the work itself and creates a sense of professional integrity.
What she actually does, beyond the headlines, is sustain emotional continuity across long narratives: measured diction, economical movement, and a careful control of intensity. Well—or rather—she has a coherent repertoire that feels curated rather than improvised.
Listening to interviews or rewatching key scenes, I feel quietly motivated. As a physics grad student, when I’m tweaking code or aligning an optics setup, her example reminds me that excellence is iterative—repetition, refinement, and attention to small errors. In other words, her career models perseverance without noise. At the end of the day, that work ethic is why I admire her—and why I try to bring a similar economy and focus to my research presentations and lab work.
To me, Liu Yifei stands out because of her disciplined artistry—the way she builds a character through restraint, precision and, I suppose, methodical preparation.
/tuː miː ˈljuː ˈiː.feɪ stændz aʊt bɪˈkɒz ɒv hɜː ˈdɪs.ə.plɪnd ˈɑː.tɪ.stri ðiː weɪ ʃiː bɪldz eɪ ˈkær.ɪk.tə θruː rɪˈstreɪnt prɪˈsɪʒ.ən ænd aɪ səˈpəʊz məˈθɒd.ɪ.kəl ˌprep.əˈreɪ.ʃən/
That’s the headline.
/ðæts ðiː ˈhed.laɪn/
The backstory is simple. I first knew about her in middle school, when her period dramas were basically everywhere; later, during uni train rides, I caught her major live-action film and noticed how consistent her craft had become.
/ðiː ˈbæk.stɔː.ri ɪz ˈsɪm.pəl aɪ fɜːst njuː əˈbaʊt hɜː ɪn ˈmɪd.əl skuːl wen hɜː ˈpɪə.ri.əd ˈdrɑː.məz wɜː ˈbeɪ.sɪ.kli ˈev.ri.weə ˈleɪ.tə ˈdjʊə.rɪŋ ˈjuː.ni treɪn raɪdz aɪ kɔːt hɜː ˈmeɪ.dʒə laɪv ˈæk.ʃən fɪlm ænd ˈnəʊ.tɪst haʊ kənˈsɪs.tənt hɜː krɑːft hæd bɪˈkʌm/
It isn’t only star power.
/ɪt ˈɪz.ənt ˈəʊn.li stɑː ˈpaʊ.ə/
It’s a blend of cultural resonance—that poised, almost classical elegance—and cross-border visibility from international projects.
/ɪts eɪ blend ɒv ˈkʌl.tʃər.əl ˈrez.ən.əns ðæt pɔɪzd ˈɔːl.məʊst ˈklæs.ɪ.kəl ˈel.ɪ.ɡəns ænd krɒs ˈbɔː.də ˌvɪz.ɪˈbɪl.ɪ.ti frɒm ˌɪn.təˈnæʃ.ən.əl ˈprɒdʒ.ekts/
She maintains a relatively low-key public persona, which, to be honest, keeps the focus on the work itself and creates a sense of professional integrity.
/ʃiː meɪnˈteɪnz eɪ ˈrel.ə.tɪv.li ˌləʊˈkiː ˈpʌb.lɪk pəˈsəʊ.nə wɪtʃ tuː biː ˈɒn.ɪst kiːps ðiː ˈfəʊ.kəs ɒn ðiː wɜːk ɪtˈself ænd kriˈeɪts eɪ sens ɒv prəˈfeʃ.ən.əl ɪnˈteɡ.rə.ti/
What she actually does, beyond the headlines, is sustain emotional continuity across long narratives: measured diction, economical movement, and a careful control of intensity.
/wɒt ʃiː ˈæk.tʃu.ə.li dʌz bɪˈjɒnd ðiː ˈhed.laɪnz ɪz səˈsteɪn ɪˈməʊ.ʃən.əl ˌkɒn.tɪˈnjuː.ə.ti əˈkrɒs lɒŋ ˈnær.ə.tɪvz ˈmeʒ.əd ˈdɪk.ʃən ˌiː.kəˈnɒm.ɪ.kəl ˈmuːv.mənt ænd eɪ ˈkeə.fəl kənˈtrəʊl ɒv ɪnˈten.sɪ.ti/
Well—or rather—she has a coherent repertoire that feels curated rather than improvised.
/wel ɔː ˈrɑː.ðə ʃiː hæz eɪ kəʊˈhɪə.rənt ˈrep.ə.twɑː ðæt fiːlz kjʊəˈreɪ.tɪd ˈrɑː.ðə ðæn ˈɪm.prə.vaɪzd/
Listening to interviews or rewatching key scenes, I feel quietly motivated.
/ˈlɪs.ən.ɪŋ tuː ˈɪn.tə.vjuːz ɔː ˌriːˈwɒtʃ.ɪŋ kiː siːnz aɪ fiːl ˈkwaɪət.li ˈməʊ.tɪ.veɪ.tɪd/
As a physics grad student, when I’m tweaking code or aligning an optics setup, her example reminds me that excellence is iterative—repetition, refinement, and attention to small errors.
/æz eɪ ˈfɪz.ɪks ɡræd ˈstjuː.dənt wen aɪm ˈtwiː.kɪŋ kəʊd ɔː əˈlaɪ.nɪŋ ən ˈɒp.tɪks ˈset.ʌp hɜː ɪɡˈzɑːm.pəl rɪˈmaɪndz miː ðæt ˈek.səl.əns ɪz ˈɪt.ər.ə.tɪv ˌrep.əˈtɪʃ.ən rɪˈfaɪn.mənt ænd əˈten.ʃən tuː smɔːl ˈer.əz/
In other words, her career models perseverance without noise.
/ɪn ˈʌð.ə wɜːdz hɜː kəˈrɪə ˈmɒd.əlz ˌpɜː.sɪˈvɪə.rəns wɪˈðaʊt nɔɪz/
At the end of the day, that work ethic is why I admire her—and why I try to bring a similar economy and focus to my research presentations and lab work.
/æt ðiː end ɒv ðiː deɪ ðæt wɜːk ˈeθ.ɪk ɪz waɪ aɪ ədˈmaɪə hɜː ænd waɪ aɪ traɪ tuː brɪŋ eɪ ˈsɪm.ɪ.lə ɪˈkɒn.ə.mi ænd ˈfəʊ.kəs tuː maɪ rɪˈsɜːtʃ ˌprez.ənˈteɪ.ʃənz ænd læb wɜːk/
part 3
Why do some students want to become popular?
To be honest, many students chase popularity because it buys belonging and a buffer against social exclusion. On a busy campus, visibility functions as reputational capital—you’re invited into study groups, lab teams, even informal mentoring networks. I suppose it’s also about identity formation: being recognised helps you decide who you are, especially when you’re still negotiating values and goals. In my programme, the students who MC events or organise journal clubs are seen, and opportunities tend to flow to them. At the end of the day, popularity is perceived—rightly or wrongly—as a shortcut to access and psychological safety.
To be honest, many students chase popularity because it buys belonging and a buffer against social exclusion.
/tuː biː ˈɒn.ɪst ˈmen.i ˈstjuː.dənts tʃeɪs ˌpɒp.jʊˈlær.ə.ti bɪˈkɒz ɪt baɪz bɪˈlɒŋ.ɪŋ ænd eɪ ˈbʌf.ə əˈɡenst ˈsəʊ.ʃəl ɪkˈskluː.ʒən/
On a busy campus, visibility functions as reputational capital—you’re invited into study groups, lab teams, even informal mentoring networks.
/ɒn eɪ ˈbɪz.i ˈkæm.pəs ˌvɪz.əˈbɪl.ɪ.ti ˈfʌŋk.ʃənz æz ˌrep.juːˈteɪ.ʃən.əl ˈkæp.ɪ.təl jɔː ɪnˈvaɪ.tɪd ˈɪn.tuː ˈstʌd.i ɡruːps læb tiːmz ˈiː.vən ɪnˈfɔː.məl ˈmen.tə.rɪŋ ˈnet.wɜːks/
I suppose it’s also about identity formation: being recognised helps you decide who you are, especially when you’re still negotiating values and goals.
/aɪ səˈpəʊz ɪts ˈɔːl.səʊ əˈbaʊt aɪˈden.tɪ.ti fɔːˈmeɪ.ʃən ˈbiː.ɪŋ ˈrek.əɡ.naɪzd helps juː dɪˈsaɪd huː juː ɑː ɪˈspeʃ.əl.i wen jɔː stɪl nɪˈɡəʊ.ʃi.eɪ.tɪŋ ˈvæl.juːz ænd ɡəʊlz/
In my programme, the students who MC events or organise journal clubs are seen, and opportunities tend to flow to them.
/ɪn maɪ ˈprəʊ.ɡræm ðiː ˈstjuː.dənts huː ˌemˈsiː ɪˈvents ɔː ˈɔː.ɡə.naɪz ˈdʒɜː.nəl klʌbz ɑː siːn ænd ˌɒp.əˈtʃuː.nɪ.tiz tend tuː fləʊ tuː ðem/
At the end of the day, popularity is perceived—rightly or wrongly—as a shortcut to access and psychological safety.
/æt ðiː end ɒv ðiː deɪ ˌpɒp.jʊˈlær.ə.ti ɪz pəˈsiːvd ˈraɪt.li ɔː ˈrɒŋ.li æz eɪ ˈʃɔːt.kʌt tuː ˈæk.ses ænd ˌsaɪ.kəˈlɒdʒ.ɪ.kəl ˈseɪf.ti/
What kinds of people are more popular at school?
To be honest, the students who become popular are those who are prosocial and dependable. If someone consistently shares notes, organises revision groups, and, you know, shows up on time for lab work, people trust them. I suppose conscientiousness and emotional intelligence matter more than loud charisma: they listen, remember your deadlines, and include quieter classmates. In my physics cohort, the lab rep who coordinates equipment bookings and mediates small conflicts is well liked because he reduces everyone’s friction costs. At the end of the day, reliability plus inclusivity translates into reputational capital.
To be honest, the students who become popular are those who are prosocial and dependable.
/tuː biː ˈɒn.ɪst ðiː ˈstjuː.dənts huː bɪˈkʌm ˈpɒp.jə.lə ɑː ðəʊz huː ɑː prəʊˈsəʊ.ʃəl ænd dɪˈpen.də.bəl/
If someone consistently shares notes, organises revision groups, and, you know, shows up on time for lab work, people trust them.
/ɪf ˈsʌm.wʌn kənˈsɪs.tənt.li ʃeəz nəʊts ˈɔː.ɡə.naɪ.zɪz rɪˈvɪʒ.ən ɡruːps ænd juː nəʊ ʃəʊz ʌp ɒn taɪm fɔː læb wɜːk ˈpiː.pəl trʌst ðem/
I suppose conscientiousness and emotional intelligence matter more than loud charisma: they listen, remember your deadlines, and include quieter classmates.
/aɪ səˈpəʊz ˌkɒn.ʃiˈen.ʃəs.nəs ænd ɪˈməʊ.ʃən.əl ɪnˈtel.ɪ.dʒəns ˈmæt.ə mɔː ðæn laʊd kəˈrɪz.mə ðeɪ ˈlɪs.ən rɪˈmem.bə jɔː ˈded.laɪnz ænd ɪnˈkluːd ˈkwaɪ.ə.tə ˈklɑːs.meɪts/
In my physics cohort, the lab rep who coordinates equipment bookings and mediates small conflicts is well liked because he reduces everyone’s friction costs.
/ɪn maɪ ˈfɪz.ɪks ˈkəʊ.hɔːt ðiː læb rep huː kəʊˈɔː.dɪ.neɪts ɪˈkwɪp.mənt ˈbʊk.ɪŋz ænd ˈmiː.di.eɪts smɔːl ˈkɒn.flɪkts ɪz wel laɪkt bɪˈkɒz hiː rɪˈdʒuː.sɪz ˈev.ri.wʌnz ˈfrɪk.ʃən kɒsts/
At the end of the day, reliability plus inclusivity translates into reputational capital.
/æt ðiː end ɒv ðiː deɪ rɪˌlaɪ.əˈbɪl.ɪ.ti plʌs ˌɪn.kluːˈsɪv.ɪ.ti trænzˈleɪts ˈɪn.tuː ˌrep.juːˈteɪ.ʃən.əl ˈkæp.ɪ.təl/
Do you think a good teacher should become popular?
I’d say a good teacher may become popular, but only as a by-product of instructional quality. In my programme, the lecturer who’s most “popular” designs clear learning objectives, gives timely formative feedback, and holds office hours that genuinely reduce cognitive load before labs. That reputation attracts motivated students and even helps secure resources—social capital can translate into better learning environments. But, to be honest, the metric should remain learning gains, not follower counts. At the end of the day, popularity is useful when it reflects effectiveness, not when it replaces it.
I’d say a good teacher may become popular, but only as a by-product of instructional quality.
/aɪd seɪ eɪ ɡʊd ˈtiː.tʃə meɪ bɪˈkʌm ˈpɒp.jə.lə bʌt ˈəʊn.li æz eɪ ˈbaɪˌprɒd.ʌkt ɒv ɪnˈstrʌk.ʃən.əl ˈkwɒl.ɪ.ti/
In my programme, the lecturer who’s most popular designs clear learning objectives, gives timely formative feedback, and holds office hours that genuinely reduce cognitive load before labs.
/ɪn maɪ ˈprəʊ.ɡræm ðiː ˈlek.tʃər.ər huːz məʊst ˈpɒp.jə.lə dɪˈzaɪnz klɪə ˈlɜː.nɪŋ əbˈdʒek.tɪvz ɡɪvz ˈtaɪm.li ˈfɔː.mə.tɪv ˈfiːd.bæk ænd həʊldz ˈɒf.ɪs ˈaʊəz ðæt ˈdʒen.ju.ɪn.li rɪˈdjuːs ˈkɒɡ.nə.tɪv ləʊd bɪˈfɔː læbz/
That reputation attracts motivated students and even helps secure resources—social capital can translate into better learning environments.
/ðæt ˌrep.jʊˈteɪ.ʃən əˈtrækts ˈməʊ.tɪ.veɪ.tɪd ˈstjuː.dənts ænd ˈiː.vən helps sɪˈkjʊə rɪˈzɔː.sɪz ˈsəʊ.ʃəl ˈkæp.ɪ.təl kæn trænzˈleɪt ˈɪn.tuː ˈbet.ə ˈlɜː.nɪŋ ɪnˈvaɪ.rən.mənts/
But, to be honest, the metric should remain learning gains, not follower counts.
/bʌt tuː biː ˈɒn.ɪst ðiː ˈmet.rɪk ʃʊd rɪˈmeɪn ˈlɜː.nɪŋ ɡeɪnz nɒt ˈfɒl.əʊ.ə kaʊnts/
At the end of the day, popularity is useful when it reflects effectiveness, not when it replaces it.
/æt ðiː end ɒv ðiː deɪ ˌpɒp.jəˈlær.ə.ti ɪz ˈjuːs.fəl wen ɪt rɪˈfleks ɪˈfek.tɪv.nəs nɒt wen ɪt rɪˈpleɪ.sɪz ɪt/
Why are some celebrities not popular?
I think some celebrities lose popularity when reputational capital is eroded. Ethical lapses, tone-deaf endorsements, or a mismatch between public persona and private conduct create a credibility gap that audiences won’t overlook. Even when apologies are issued, the recovery can be slow because trust, once depleted, is costly to rebuild. To be honest, fans today expect consistency, accountability, and social responsibility; when those are perceived as performative, disengagement follows. At the end of the day, it’s not only talent but also perceived integrity that sustains a fan base.
I think some celebrities lose popularity when reputational capital is eroded.
/aɪ θɪŋk sʌm sɪˈleb.rə.tiz luːz ˌpɒp.jəˈlær.ə.ti wen ˌrep.juːˈteɪ.ʃən.əl ˈkæp.ɪ.təl ɪz ɪˈrəʊ.dɪd/
Ethical lapses, tone-deaf endorsements, or a mismatch between public persona and private conduct create a credibility gap that audiences won’t overlook.
/ˈeθ.ɪ.kəl ˈlæp.sɪz ˌtəʊnˈdef ɪnˈdɔːs.mənts ɔː eɪ ˈmɪs.mætʃ bɪˈtwiːn ˈpʌb.lɪk pəˈsəʊ.nə ænd ˈpraɪ.vət ˈkɒn.dʌkt kriːˈeɪt eɪ ˌkred.ɪˈbɪl.ə.ti ɡæp ðæt ˈɔː.di.ən.sɪz wəʊnt ˌəʊ.vəˈlʊk/
Even when apologies are issued, the recovery can be slow because trust, once depleted, is costly to rebuild.
/ˈiː.vən wen əˈpɒl.ə.dʒiz ɑː ˈɪs.juːd ðiː rɪˈkʌv.ər.i kæn biː sləʊ bɪˈkɒz trʌst wʌns dɪˈpliː.tɪd ɪz ˈkɒst.li tuː ˌriːˈbɪld/
To be honest, fans today expect consistency, accountability, and social responsibility; when those are perceived as performative, disengagement follows.
/tuː biː ˈɒn.ɪst fænz təˈdeɪ ɪkˈspekt kənˈsɪs.tən.si əˌkaʊn.təˈbɪl.ə.ti ænd ˈsəʊ.ʃəl rɪˌspɒn.sɪˈbɪl.ɪ.ti wen ðəʊz ɑː pəˈsiːvd æz pəˈfɔː.mə.tɪv ˌdɪs.ɪnˈɡeɪdʒ.mənt ˈfɒl.əʊz/
At the end of the day, it’s not only talent but also perceived integrity that sustains a fan base.
/æt ðiː end ɒv ðiː deɪ ɪts nɒt ˈəʊn.li ˈtæl.ənt bʌt ˈɔːl.səʊ pəˈsiːvd ɪnˈteɡ.rə.ti ðæt səˈsteɪnz eɪ fæn beɪs/
Words
| Words | Definition |
|---|---|
| Disciplined | /ˈdɪs.ə.plɪnd/ — adj. 有纪律的;受过训练的;自律的 |
| Disciplined artistry | n. 有纪律的艺术性;兼具自律与艺术表达的能力 |
| restraint | /rɪˈstreɪnt/ — n. 克制;约束;限制;自制力 |
| precision | /prɪˈsɪʒ.ən/ — n. 精确;准确;精密度 |
| Methodical | /məˈθɒd.ɪ.kəl/ — adj. 有条理的;有系统的;有方法的 |
| methodical preparation | n. 有条理的准备;系统性的预备工作 |
| Headline | /ˈhed.laɪn/ — n. 标题;头条新闻;v. 担任主角;为…作标题 |
| backstory | /ˈbækˌstɔː.ri/ — n. 背景故事;人物背景;前史 |
| period dramas | n. 古装剧;年代剧(以特定历史时期为背景的影视作品) |
| consistent | /kənˈsɪs.tənt/ — adj. 一贯的;始终如一的;前后一致的 |
| craft | /krɑːft/ — n. 手艺;技艺;工艺;v. 精心制作;手工制作 |
| cultural resonance | /ˈkʌl.tʃər.əl ˈrez.ən.əns/ — n. 文化共鸣;文化感染力 |
| It’s a blend of cultural resonance | 这是文化共鸣的一种融合(或混合体)。 |
| classical elegance | /ˈklæs.ɪ.kəl ˈel.ɪ.ɡəns/ — n. 古典的优雅;典雅气质 |
| poised | /pɔɪzd/ — adj. 泰然自若的;沉着的;镇定的;准备就绪的 |
| It’s a blend of cultural resonance—that poised | |
| cross-border visibility | n. 跨境知名度;跨国影响力 |
| low-key | /ˌləʊˈkiː/ — adj. 低调的;不张扬的;温和内敛的 |
| persona | /pəˈsəʊ.nə/ — n. 形象;人格面貌;公众面前的角色或形象 |
| public persona | n. 公众形象;公开形象 |
| professional integrity | /ˌprəˈfeʃ.ən.əl ɪnˈteɡ.rə.ti/ — n. 职业操守;专业诚信;职业上的正直与原则 |
| emotional continuity | /ɪˌməʊ.ʃən.əl kɒn.tɪˈnjuː.ə.ti/ — n. 情绪连贯性;情感上的一致与延续 |
| narratives | /ˈnær.ə.tɪvz/ — n. 叙述;故事;叙事方式(narrative 的复数) |
| long narratives | n. 长篇叙事;较长的故事线 |
| measured diction | /ˈmeʒ.əd ˈdɪk.ʃən/ — n. 克制的措辞;谨慎的用词;有分寸的表达方式 |
| economical movement | /ˌek.əˈnɒm.ɪ.kəl ˈmuːv.mənt/ — n. 节制的动作;简练而高效的身体动作(常指表演或舞台上的“省力而准确”的动作风格) |
| intensity | /ɪnˈten.sə.ti/ — n. 强度;激情;剧烈程度 |
| a coherent repertoire | n. 连贯的作品体系;一致且富有整体性的作品(或技能)组合 |
| curated | /ˈkjʊə.reɪ.tɪd/ — adj. 精心挑选的;策划过的;经过筛选与组织的 |
| improvised | /ˈɪm.prə.vaɪzd/ — adj. 即兴的;临时发挥的; v. 即兴创作;临时做(improvise 的过去式/过去分词) |
| scenes | /siːnz/ — n. 场景;片段;景象(scene 的复数) |
| tweaking | /ˈtwiː.kɪŋ/ — n. 微调;小幅调整; v. 微调;轻微调整(tweak 的现在分词) |
| excellence | /ˈek.səl.əns/ — n. 卓越;优秀;杰出品质 |
| repetition | /ˌrep.əˈtɪʃ.ən/ — n. 重复;反复;重复行为 |
| her career models perseverance without noise | 她的职业生涯展现出一种不喧嚣的坚持;她的事业以低调却持久的方式诠释了“坚持不懈”。 |
| ethic | /ˈeθ.ɪk/ — n. 道德准则;伦理标准;行为规范 |
| popularity | /ˌpɒp.jəˈlær.ə.ti/ — n. 名气;受欢迎程度;流行程度 |
| Chase popularity | |
| Belonging | /bɪˈlɒŋ.ɪŋ/ — n. 归属感;隶属;附属物(常指个人物品,通常用复数 belongings) |
| Social exclusion | n. 社会排斥;被社会边缘化 |
| Buffer | /ˈbʌf.ər/ — n. 缓冲;缓冲物;保护人(或物);v. 缓冲;减轻冲击 |
| a buffer against social exclusion | 抵抗社会边缘化 |
| functions as | v. 起……作用;充当;作为(某物或某角色) |
| reputational capital | n. 声誉资本;名誉资产 |
| informal mentoring networks | n. 非正式的导师网络;非正式的指导关系网 |
| identity formation | n. 身份形成;自我认同的建立过程 |
| negotiating values | 协商价值观;对价值取向进行探索 |
| you’re still negotiating values and goals | 你仍在权衡(或协商)自己的价值观和目标;你还在摸索并确定自己重视什么、想追求什么。 |
| MC | Master of Ceremonies /ˈserɪmənɪz/ 主持人 |
| perceived | /pəˈsiːvd/ — adj. 被认为的;被视为的;感知到的 |
| rightly or wrongly | 不论对错;无论是否合理(指某种看法或判断,可能是正确的也可能是错误的)。 |
| a shortcut to | n. 通往…的捷径;快速达到…的方法 |
| prosocial | /prəʊˈsəʊ.ʃəl/ — adj. 亲社会的;有益社会的;利他的 |
| dependable | /dɪˈpen.də.bəl/ — adj. 可靠的;可信赖的 |
| revision | /rɪˈvɪʒ.ən/ — n. 复习;修订;修改(文本、计划等) |
| conscientiousness | /ˌkɒnʃiˈenʃəsnəs/ n. 尽责;凭良心办事 |
| loud charisma | n. 张扬的魅力;高调外放的吸引力 |
| charisma | /kəˈrɪz.mə/ — n. 魅力;感召力;个人吸引力 |
| quieter | /ˈkwaɪətə(r)/ adj. 更安静的 n.消音装置,消声器 |
| cohort | /ˈkəʊ.hɔːt/ — n. 同一群体;同辈人;(统计/研究中的)队列;支持者(旧义) |
| the lab rep | n. 实验室代表;负责对接或协调实验室事务的人 |
| rep | /rep/ — n. 名声;声望(“reputation”的缩写);代表;销售代表;剧团常演剧目(repertory 的缩写)v. 做重复动作训练(健身用语,repeat 的缩写) |
| coordinates | /kəʊˈɔː.dɪ.neɪts/ — n. 坐标;(衣服等)成套搭配物; v. 协调;配合;使相配(coordinate 的第三人称单数) |
| mediates | /ˈmiː.di.eɪts/ — v. 调解;斡旋;促成(mediate 的第三人称单数) |
| friction costs | n. 摩擦成本;因沟通不畅、流程阻碍或协调困难而产生的额外成本 |
| reliability | n. 可靠性;可信度 |
| inclusivity | /ˌɪn.kluːˈsɪv.ə.ti/ — n. 包容性;包容程度;对多样性的接纳 |
| a by-product of | n. …的副产品;…的附带结果 |
| instructional quality | n. 教学质量;教学水平 |
| formative feedback | n. 形成性反馈;旨在改进学习过程的反馈 |
| cognitive load | n. 认知负荷;思维负担 |
| secure resources | v. 获得资源;争取资源(如资金、设备或支持) |
| metric | /ˈmet.rɪk/ — n. 指标;度量标准;衡量方式 |
| follower counts | n. 粉丝数量;关注者数目 |
| the metric should remain learning gains, not follower counts. | 衡量标准应该仍然是学习成效,而不是粉丝数量。 |
| effectiveness | /ɪˈfek.tɪv.nəs/ — n. 效果;有效性;成效 |
| reflects effectiveness | v. 体现有效性;反映成效 |
| Celebrities | /səˈleb.rə.tiz/ — n. 名人;名流;(celebrity 的复数) |
| Eroded | /ɪˈrəʊ.dɪd/ — adj. 被侵蚀的;受腐蚀的;削弱的 v. 侵蚀;削弱;腐蚀(erode 的过去式/过去分词) |
| Ethical lapses | /ˈeθ.ɪ.kəl læpsɪz/ — n. 道德失范;伦理失守;不道德的行为(lapse 的复数) |
| tone-deaf | /ˌtəʊnˈdef/ — adj. 五音不全的;(比喻)对场合或情绪不敏感的;不顾他人感受的 |
| endorsement | /ɪnˈdɔːs.mənt/ — n. 代言;认可;支持;(文件上的)背书 |
| tone-deaf endorsements | n. 不合时宜的代言;不顾公众情绪的代言选择 |
| a mismatch between | n. …之间的不匹配;…之间的不协调 |
| mismatch | /ˈmɪs.mætʃ/ — n. 不匹配;不协调;配错 v. 使不匹配;错配 |
| public persona | /pʌb.lɪk pəˈsəʊ.nə/ — n. 公众形象;公开形象 |
| private conduct | /ˌpraɪ.vət ˈkɒn.dʌkt/ — n. 私下行为;私人举止;个人私生活中的行为表现 |
| credibility | /ˌkred.əˈbɪl.ə.ti/ — n. 可信度;可靠性;可信性 |
| credibility gap | /ˌkred.əˈbɪl.ə.ti ɡæp/ — n. 可信度差距;公信力落差(官方说法与公众感受之间的不信任) |
| overlook | /ˌəʊ.vəˈlʊk/ — v. 忽视;俯瞰;宽恕 |
| apologies are issued | 发布道歉;公开道歉被作出 |
| depleted | /dɪˈpliː.tɪd/ adj. 不足的,减少的;人员不足的,人员减少的;耗尽的 v. 耗尽……的资源;使减少,弄空;使精疲力竭(deplete 的过去式和过去分词) |
| costly | /ˈkɒst.li/ — adj. 昂贵的;代价高的;造成损失的 |
| consistency | /kənˈsɪs.tən.si/ — n. 一致性;连贯性;可靠性;(物质的)稠度 |
| social responsibility | /ˈsəʊ.ʃəl rɪˌspɒn.sɪˈbɪl.ə.ti/ — n. 社会责任 |
| performative | /pəˈfɔː.mə.tɪv/ — adj. 施为性的;表演性的;带有象征性姿态的 |
| disengagement follows | 随之而来的是疏离(或脱离);接下来便是失去参与感。 |
| disengagement | /ˌdɪs.ɪnˈɡeɪdʒ.mənt/ — n. 脱离;疏离;不再参与 |
| a fan base | n. 粉丝群体;粉丝基础 |